Without giving anything away, does this feel like a grace note? Or is this an opening up of a new thread of this story? So that was to our advantage.įor many people “Toy Story 3” felt like closing the book. So it has to be new enough to be, this could work and long enough that the other toys are like, is it though? He's holding it back a little bit. Jonas Rivera: I think it had to be sort of close to that moment because you needed to have Woody in a little bit of denial. So you couldn't start any later than that or it just wouldn't work. And it's like that's the pivotal moment of, of stepping into something completely new. That's the moment of Woody realizing he's in a new place, new location, a new kid, new toys. But in terms of why we start right there at the end of ”3,” is because that's the moment. If you go from when it goes to on his boot and it fades out, it goes to black, there could be a couple of weeks in between there right before, before it picks up again. ![]() Josh Cooley: The interesting thing is that, we've done the, the TV specials in the shorts as well. ![]() But with “Toy Story 4,” it seems like no real time has passed since “3.” And you opened with a flashback. Moviefone: This is kind of a philosophical question, but how is time working in the “Toy Story” universe now? With first three movies, there was more time between movies but it kept on track in terms of following Andy's life. Plus, learn new details about the Polly Pocket-esque new character Giggle McDimples, a deceptively complicated character that utilizes a number of animation forms. So we were, of course, thrilled to sit down and talk with director Josh Cooley and producers Jonas Rivera and Mark Nielsen, about how time works in the “Toy Story” universe, how Pixar legacy character Tinny finally came into the franchise, and whether or not the plush Totoro from the end of “ Toy Story 3” came back. ![]() Everyone is pumped about “Toy Story 4” because “Toy Story 4” is a movie for everyone. Early previews have generated the kind of palpable enthusiasm that only comes from a franchise that has crossed generational boundaries (the first film was released in 1995) while maintaining a high level of quality and a consistent investment in the brand (if not through actual movies, then through various short films, TV specials, theme park attractions, and the like). There are few films this summer that are met with the kind of excitement that “Toy Story 4” is generating.
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